Adieu to my Mac Pro

I finally did it. After months of internal debate, and many wild swings back and forth, the needle at last crossed the critical threshold. A decision has been made. I bought a new desktop Mac. It arrives next week.

For those interested in the tech specs, I purchased a top-end 5K iMac, with an upgraded processor, 16GB of RAM and the 512GB SSD. To handle additional storage requirements, I have an OWC ThunderBay, which will house the drives currently in my Mac Pro.

The Mac Pro in question is a “cheese grater” model from 2009. You heard correctly. This powerhouse has been my primary computer for the last seven (7) years! I’m using it right now to compose this article. This is, by far, a personal record. I haven’t kept another Mac on my desk for more than three years since I bought by first Mac back in 1984.

How did my Mac Pro manage to survive so long? Mainly because of its superb and easily accessible internal expansion options (4 hard drive bays, 2 optical drive bays, RAM slots and PCI card slots). This far exceeds anything that Apple currently offers (Apple has essentially eliminated internal expansion from its line-up). Expansion capability has  allowed me to keep pace with the most critical technological advances. Over the years, I’ve upgraded the RAM, added newer higher capacity hard drives and an SSD drive. While still not as fast as current top-end Macs, my Mac Pro remains fast enough to comfortably move along as I do demanding tasks such as editing iMovie files.

Sure, it’s missing some niceties — no Thunderbolt, no USB-3, no Retina display. And it’s a relatively noisy heat-generating behemoth that can warm up my office better than a space heater. But it gets the job done.

As for software, Apple still supports this Mac Pro for running the latest El Capitan version of OS X. It doesn’t support every new feature; it won’t work with Continuity for example. And when I compare it to my wife’s 2014 iMac, it’s clear that the Mac Pro’s software/hardware combination is significantly more prone to bugs and glitches. But it runs and works very well most of the time.

On the one side, the thought of losing the Mac Pro’s internal expansion options held me back from upgrading. On the other side, the promise of forthcoming major hardware additions, such as Thunderbolt 3 and USB-C, similarly convinced me to keep delaying an upgrade. Plus, I was immobilized by indecision as to which storage option to choose: Fusion drive vs. one of the SSD drives.

But, in the end, I decided it was time to move on. The lure of the current new technology finally brought me to the tipping point. The speed and upgraded capabilities of the Skylake processor, the new super-fast SSD drive, the incredible Retina display — all packaged in an attractive compact lightweight design — I could no longer resist. Seven years was long enough. If a much improved iMac comes along later this year, I’ll worry about that when the time comes. I’m ready for a change now!

Still, I’ll miss my old Mac Pro. We’ve been together for a long time. So, before we part, allow me to bid the machine one last fond farewell: So long old friend. It’s been great knowing you. I doubt we will ever see the likes of you again.

My day as an extra in the Steve Jobs movie

Back last March, I had the opportunity to attend the event where Steve Jobs announced the iMac to the world. What a fantastic day!

OK. I’ve created a bit of a reality distortion field here. What really happened is that I was an extra in the new Steve Jobs movie, starring Michael Fassbender as Jobs and with a screenplay by Aaron Sorkin.

As you probably know by now, the movie focuses on three key media events: the announcements of the original Mac, the NeXT computer and the iMac. The recreations of all the events were done in venues around the San Francisco Bay area, although not necessarily where the events originally took place.

For the final event (the introduction of the iMac in 1998), the filming took place on March 29 at Davies Symphony Hall in San Francisco. The Hall holds several thousand people and the filmmakers wanted it completely full. This was, by far, the largest of the three media event settings. They put out a call for volunteers to be extras. I probably would never have known about this if it wasn’t for someone I follow on Twitter posting a link to the signup webpage. Given that I live only a short BART ride away from the Hall, it seemed too good to pass up. I signed up.

A few days later, I received an email confirming that I had been selected. I suspect that almost everyone who applied was accepted, given the large number of extras they needed. Regardless, I was in!

On the day of the filming, I arrived about 30 minutes prior to the time stated in the invitation. To my dismay, there was already a line stretching more than six (6) blocks, waiting to enter the Hall. And more kept coming. In fact, because parking near the Hall is so limited, the studio had set up shuttle buses from a distant parking lot. Around a dozen full size buses unloaded while I was waiting.

By this time, I was thinking that, in an attempt to be certain of filling the Hall, the filmmakers had oversold the acceptances — meaning that some of us would be sent home without ever getting inside. I was wrong. Everyone got in.

Waiting in line

Eventually, the line began to move. By the time I got to the front of the line, it was well over an hour from when I first arrived. I signed the required release forms and was ushered into the Hall. It was still only about half full. Over the next hour, the Hall eventually reached capacity.

Inside Davies Hall

A small group of “professional” extras were seated in the first few rows on the left. As it turned out, this was where Jeff Daniels (as John Sculley) would later be filmed. The rest of the Hall was filled with volunteers such as myself.

Where possible, the filmmakers tried to recreate the “look and feel” of the original event, including having replicas (originals?) of  banners hanging from the ceiling out in the hallway. Quite impressive.

In the hallway

Once we were all seated, various sound and lighting checks were conducted. Eventually, Danny Boyle and his assistant director came out and introduced themselves. They gave us details about what would be filmed and what we were expected to do. Essentially, there would be various audience scenes showing us anticipating Steve Jobs’ entrance on to the stage (including one sequence where we were to stamp our feet to make noise) and cheering him when he was finally introduced.

Initially, we rehearsed with a stand-in for Michael Fassbender. Interestingly, the stand-in looked much more like Steve Jobs than Fassbender does. A few people near me mistakenly initially assumed that he was Fassbender.

Eventually, Fassbender came out and we began filming for real. The main scene was where an announcer said something like: “Ladies and gentlemen….Steve Jobs.” At this point, Fassbender strides on to the stage and we all stand up and cheer wildly. The flashing of   camera lightbulbs was simulated by a variety of strobe lights situated around the hall, triggered to go off at just the right moment. It was quite effective. When the cheering died down, I believe Fassbender said “Thank you.” That was it. The director yelled “Cut”…end of scene.

I assume, in the final film, it’s fade out to credits after this scene. In any case, when it was all over, Boyle informed us that this was the final day of filming. After this, it was “a wrap.”

There was no CGI involved. What you see in the film really are thousands of people standing up and cheering.

A few other related scenes were filmed that day. There was the Jeff Daniels scene. Another one took place backstage (I couldn’t see what was going on from where my seat was located, but I heard it involved Steve’s daughter Lisa). Yet another one was the arrival of Steve Wozniak (played by Seth Rogen). As luck would have it, this took place just a few rows from my seat. If it turns out that I am actually detectable on screen in the final cut of the movie, it will most likely be at this point.

There was a lot of waiting in between filming of each scene. At these points, you could out to the hallway and get snacks.

Filming a scene outside

Finally, we were shuttled outside of the building in order to film a crowd shot. After that, we went back inside the Hall, where they raffled off a few prizes and provided us with a box lunch. By this time, it was around 6:00, a little late for lunch. But heck, it was free. It had been about eight hours since my arrival.

And that was it. The big day was over.

I haven’t seen the movie yet. But it appears that the Davies audience scene is a significant one. Glimpses of it are in every trailer. I haven’t tried freeze-framing to see if I can spot myself. I’m guessing no, but I’ll wait until after I see the movie to confirm.

Or maybe I’ll never bother to check. Ultimately, it doesn’t matter to me whether I am on camera or not. I had a great time that day. I couldn’t be at the original iMac event. This was definitely the the next best thing. A day to remember. Both in 1998 and in 2015.

 

The ups (and occasional downs) of Apple’s new products

Here are my brief reactions to the new products that Apple announced at its media event yesterday:

• Watch

So now you can get a gold Apple Watch for the same price as a Sport model. Actually, it is a Sport model. Apple now offers two new gold finishes for its aluminum Watch. You have to wonder if these colors were held back from last spring’s initial release so as not to give any competition to the actual gold models. Perhaps due to poorer than expected sales, Apple no longer cares about potential competition. In any case, yesterday’s event made no mention of the uber-expensive models.

iPad

The 12.9” iPad Pro is quite attractive overall — especially so for people seeking Apple’s answer to the laptop/tablet Microsoft Surface. If I was in the market for such a device, I’d get one. [By the way, I predicted an iPad Pro back in January 2014 — and was quite close to what Apple released yesterday.]

The new connector technology used by the Keyboard seemed very cool. I look forward to see what third parties will do with it. I don’t see using the Pencil (I remain with Steve Jobs here), but I can imagine it being useful in specific applications.

On the downside, I’m bummed that the iPad Pro doesn’t include the 3D Touch feature announced for the new iPhones. It seems like a glaring omission…to have Apple’s most expensive iOS device lacking a key feature available in its smallest one.

A larger problem for Apple is (other than a minor update to the iPad mini — which Apple should have released last year), there were no other new iPads. Most especially, there was no iPad Air 3. This means that, unless you want an iPad Pro, there is almost no incentive for current iPad owners to upgrade to a new model. As such, I expect iPad sales for the coming holiday season to continue its decline. I don’t see the iPad Pro generating enough sales to reverse the trend.

iPhone

With 3D Touch and an improved camera that includes Live Photos and 4K video, the iPhone 6S and 6S Plus offer new features that are significant enough to motivate a substantial number of current users to upgrade. I expect the new iPhones to continue to gain market share and solidify Apple’s lead. Well done.

TV

For me, the new Apple TV was the most “drool-worthy” of all the products announced yesterday. The new remote with a touch surface and Siri support can potentially change how we interact with television. As someone with the beginnings of hearing loss, I was especially blown away by the “What did he say?” feature, which rewinds 15 seconds and plays it back with captions.

For a long time, I have been advocating for the Apple TV to include its own App Store and provide better support for games. The new Apple TV delivers in both these categories. Yes!

Still, I do have a couple of concerns. No 4K support? This was a surprise, especially since the new iPhones can produce 4K video. And I didn’t see any option to play ripped DVDs, as you can do via the Computers icon in the current Apple TV. In fact, I didn’t see a Computers icon at all. Maybe it’s there and just not mentioned. We’ll see.

According to one article I read, analysts were overall left “underwhelmed” with the new Apple TV. They wanted to see the promised subscription service (and perhaps even original content). I too want a subscription service (especially if it means I can dump Comcast). But I have patience. I assume it will arrive in due course next year. I’d also like some sort of iCloud-based DVR, but I doubt I will see that. In the meantime, the new Apple TV is already a fantastic upgrade. I want one yesterday.

• Mac

One last thing. There was no mention of the Mac at the media event yesterday. Not even the impending release of OS X El Capitan (due September 30). Perhaps there will be some new Mac announcements in the weeks ahead, without a corresponding media event (because the iPad Pro was revealed yesterday, I no longer expect a separate event in October). Otherwise, we’ll have to wait till 2016 for new Macs.

Searching for my next Mac

My desktop computer is a 2009 Mac Pro. That makes it six years old.

Whoa! I’ve haven’t owned the same Mac for that long since…since ever. And yet, while I never expected my Mac Pro to last this long, it remains a competent relatively speedy machine. As a bonus, it has superb internal storage capabilities combined with easy accessibility that no currently selling Mac can match.

Of course, it isn’t exactly the same Mac Pro I purchased back in 2009. It now sports a zippy 512GB SSD drive with two 2TB Toshiba drives for storage and backup. With these in place, I could probably keep the machine humming along for another few years.

Still, the old Mac Pro is showing signs of age. On some tasks, I can tell that processing speed lags behind newer Macs. Also, there are no Thunderbolt ports and it doesn’t support a 4K/5K  display. Finally, it remains a somewhat noisy heat-generating behemoth. So I’m ready to consider a replacement.

Unfortunately, the biggest obstacle to me getting a new desktop Mac is the limited, and ultimately unsatisfactory, alternatives currently available.

The Mac mini? Forget it. Although it has the (“headless Mac”) form factor I prefer, Apple has kept it deliberately underpowered — marketing it as an “entry level” machine. The least expensive 27-inch iMac has superior specs to the most expensive Mac mini — starting with the fact that the mini is a dual-core CPU, compared to the iMac’s quad-core.

So what about the iMac? As it turns out, I just bought one for my wife: a decked-out iMac Retina 5K display — the 3.5GHz quad-core Intel Core i5 model upgraded to 16GB of RAM and a 3TB Fusion drive — for a final price of $2,649.

I have to admit…it’s a gorgeous machine. I still gasp every time I glance at the display. And it’s impressively fast, certainly faster than my Mac Pro.

Is this the Mac for me? Probably. If I got one, I would almost certainly add an OWC Thunderbay for external storage. It would be a great set-up. Still, it would not be my ideal Mac. I would prefer a machine that doesn’t have a built-in display and that has internal expansion options for drives and cards.

This brings me to the current “new” (2013) Mac Pro. Why not replace my old Mac Pro with a new Mac Pro? For starters, as with the iMac, the new Mac Pro is missing the desired internal expansion options.

Further, as I have argued previously, the new Mac Pro is such a specialized super-costly machine that it no longer fits my needs or budget. I was struck by this all over again when I bought my wife’s 5K iMac last week.

Forgive me for a bit of rehashing, but I believe it’s worth another look. For comparison purposes, let’s assume I bought the cheapest quad-core Mac Pro base model (anything else would would so far exceed my needs and come with such a high sticker price as to be ridiculous). To match my iMac, let’s go with the minor upgrade to 16GB of RAM for a final total cost of $3,099.

You can’t get a 3TB Fusion drive with a Mac Pro. The closest (and least expensive) match I could make is to stick with the default 256GB SSD internal storage and add a 3TB USB drive. I chose a Western Digital My Book ($87 on Amazon). Finally, I needed a 27-inch 5K display. I suppose I could settle for a less expensive 4K one, but I wanted to match the iMac specs as closely as possible. I came up with a Dell Ultra HD 5K model on sale at Amazon for $1,800. [By the way, the reason I didn’t get an Apple-branded 5K display here is that Apple doesn’t sell one — unless you buy it as part of an iMac.] This added up to a final price of $4,986 — or $2,337 more than I paid for my comparable iMac. That’s enough for me to have gotten a second iMac Retina display instead!

Yes, I know there are specs in the Mac Pro that exceed those in the iMac, features that can make the extra money worth it for some users. But I am not one of those users. As Macworld pointed out, in several tests of things I might actually do (including Finder and iTunes tests), the iMac is faster than an 8-core Mac Pro. In the end, the Mac Pro makes no sense for me (echoing the sentiments of Dan Frakes).

Thinking about it, I believe the Mac Pro makes no sense for anyone save a very small high-end segment of the Mac market. For most of Apple’s history, “less-than-high-end” power users like myself gravitated towards the most expensive Mac models. Even if the machines were overkill, they remained in a competitive price range and offered practical advantages than none of the lesser models could match. This gave Apple’s top models a relatively broad appeal. This is no longer true.

Accepting that no new Mac will come with much in the way of internal expansion options, my ideal replacement for my 2009 Mac Pro would be either a scaled-down new Mac Pro (for less than $2000) or a souped-up Mac mini (for less than $1500). But Apple appears to have no intention of offering either of these Macs at any price. As long as I’m dreaming, I’d want to combine these Macs with a stand-alone version of Apple’s 5K display, ideally for under $1500.

Instead, Apple’s message to me (and others in a similar boat) is simple and direct: “Get an iMac.” And that, with just a wee bit of grumbling, is what I expect I will do. Eventually.

As to the bigger picture, when I additionally consider the implications of Apple’s latest ultra-portable 12-inch MacBook, Apple’s message appears to be:

“We are moving more and more in the direction of a strictly consumer-focused company. While machines like the Mac Pro and the MacBook Pro are not likely to be phased out anytime soon, we no longer see them as in the mainstream of our product line. And we no longer view the customers who buy them as our prime target audience. Similarly, options to open up and modify the internals of a Mac will be minimal to non-existent — even for our Pro lines. If that doesn’t meet with your expectations or desires, either change your desires or buy some other company’s product. We’ll do fine either way.”

Although I might not like all its implications, Apple’s position does make sense. Think about it: What consumer electronic product can you buy today that encourages you (or even allows you) to open up and modify its insides? Not televisions. Not AV receivers. Not microwaves. Not smartphones. Not even automobiles (where, especially with hybrid and electric cars, lifting the hood is increasingly meant to be done only by professionals). Apple’s Macs are simply mirroring the rest of the electronic world. In case you hadn’t noticed, the days of tinkering inside your Mac are over — and have been for quite some time.

Get ready iMac, ’cause here I come.