Nicholas Wade on Evolution: Strike Two

A few weeks ago, the New York Times ran a review of Richard Dawkin’s latest book on evolution, The Greatest Show on Earth. The review, written by Nicholas Wade, had a very troubling slant. In what I view as its most grievous error, Wade contended that Dawkins “doesn’t know what a theory is,” In saying this, Wade gave support to the discredited view that “evolution is only a theory” and thus easily dismissed. Frankly, I expected better from the New York Times.

This isn’t just my opinion. The Times initially posted two Letters to the Editor from eminent scientists, both critical of the review. Adding that they received an “unusually large number” of letters “from readers who identified themselves as scientists or philosophers,” the Times posted a further collection of letters — all critical.

Apparently, this was not enough to convince the Times to itself be a bit more critical in evaluating Mr. Wade’s writing. He was back again with a Week-in-Review column titled “The Evolution of the God Gene.” Here he makes at least three very questionable assertions.

First is the claim that the ubiquity of religion in human culture suggests that there may be a gene for religion, favored by natural selection. Hence the title of the column. A gene that directly codes for a belief in God is almost certainly a gross over-simplification of how genetics and evolution works — even if there were some overall truth to Wade’s assertion.

But it gets worse. Wade next asserts that the presumed presence of a God gene implies that religion has a “constructive role” in society and should thus be viewed “favorably.” This logic runs counter to a wealth of literature that correctly points out that just because something may be favored by natural selection does not mean that we should view it as “good.”

For example, there is research that suggests a genetic evolutionary basis for human infidelity and even rape. There is certainly not a consensus of agreement on this matter. But even among those who support the viewpoint, no one would argue that this means human societies should promote infidelity or rape. Nor does it mean that humans should not consciously work to override what, in our present society, is a negative evolutionary inheritance. More generally for any trait, even if it was useful in our evolutionary past, this does not mean it remains so today. This extends to any supposed “God gene” as well.

Finally, Wade’s assertions move from the distorted and incorrect to the truly absurd. He correctly notes that a supposed evolutionary basis for religion would “neither prove nor disprove the existence of gods.” The problem is that the rest of the article implies that this point is largely irrelevant. That is, he argues that, if religion has the “benefits” he proposes, we should support religion even if its most fundamental assertion is false.

I’m sorry. To travel from what is at best a questionable premise to a conclusion that we should all close our eyes and support a belief even if it has no more veracity than a fairy tale — borders on the ridiculous.

Once again, I am a bit mystified that the New York Times saw fit to publish this article, which now amounts to “strike two” for Wade. Maybe, one more and he’s out.

As for Wade himself, he has just published a book titled “The Faith Instinct: How Religion Evolved and Why It Endures.” I’m guessing that the God Gene column amounts to a summary of and promotion for his book.

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I’m Back

The last time I posted an entry here was May of 2008. It’s been awhile.

It’s not that I lost interest in this blog. Rather, I just became too busy doing other things. My work for The Mac Observer and Macworld kept expanding. Plus, I had to update my iPhone book (Take Control of iPhone OS 3) twice in 2009.

Things have finally calmed down sufficiently that I am ready to resume my writing here.

Here we go…

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The most logic-defying sequence in movie history

I’m a die-hard James Bond movie fan. And Goldfinger ranks up there as perhaps my all-time favorites James Bond film.

At least it was until I watched it again recently. I’m now thinking of downgrading it a bit.

Yes, it still has all the iconic scenes that remain so indelibly imprinted in my mind. But watching it again, I was struck by how much of the movie makes absolutely no sense from any logical perspective. And I found it impossible to ignore this, even accepting the idea that the movie is basically an escapist fantasy.

I won’t bore you with a complete list of all the ridiculousness in the movie. Instead, I want to focus on just one sequence; a sequence that so defies logic that I believe it could well be the #1 all-time most logic-defying sequence in movie history. I’m talking about the scene that begins with the assembled hoodlums inside Goldfinger’s Kentucky ranch.

For starters, in the meeting room, Goldfinger unveils an elaborate hidden control panel that he uses to show the assembled group his big plan. However, the show consists only of a simple map and a 3-D mock-up of Fort Knox, also concealed until he presses the buttons to reveal them. Even granting that these items may have had some use beyond displaying them to his criminal associates, it’s hard to imagine why such an expensive and elaborate setup was needed to conceal and reveal these two items. Couldn’t he just keep them in a locked room? Okay, Goldfinger is super-rich and can afford it. But still.

Anyway, we’re just getting warmed up. Next, Goldfinger kills off the entire group by mechanically sealing off the room and spraying nerve gas into it. Are we to believe that he kills people off this way with such frequency that he decided to install a permanent setup just for doing so? Surely, there are many simpler less elaborate ways he could have taken care of this matter. Again, I can pretty much forgive this. James Bond movies, after all, are all about elaborate schemes.

But now, we enter into the realm of the unforgivable. If he always intended to kill everybody (as seemed to be the case), why even bother giving them the dog and pony show about how he was going to raid Fort Knox? Why not just kill them as soon as they were all in the room. Again, I understand that the movie needs to reveal the Fort Knox plot to the audience. But couldn’t the movie makers find a way to do it that doesn’t require that you be halfway in a coma in order for you not to notice how preposterous it all is?

Even if you are willing to suspend disbelief and accept all of the preceding, there remains the coup de grace of the entire sequence:

One of the criminals, appropriately named Solo, decides to opt out of the Fort Knox deal. He wants to take his promised money and leave. Goldfinger agrees and sends him on his way. Given that even he is going to be killed anyway (shot by Oddjob, as we soon find out), why let him leave? Why not just have him die in the room with the rest of the hoodlums? Goldfinger could have easily come up with an excuse to leave the room before letting Solo exit.

Okay, so Goldfinger passed on this opportunity. A lapse in judgement perhaps. But why not then shoot Solo before he ever leaves the property? Ah, that would still be too easy. Instead, Goldfinger puts Solo into a limo, ostensibly with instructions for Oddjob to drive him to the airport. And yes, there’s the payment of a million dollars in gold bullion in the trunk!

Solo never makes it to the airport — to no one’s surprise. Oddjob shoots him in the car along the way. Oddjob then dumps the body in some remote location, drives back to the ranch, and takes the gold out of the trunk, right? In your dreams. Why do anything that makes even the slightest sense when there is a much more complicated and totally idiotic way to accomplish the same goal?

What actually happens is that Oddjob drives to an auto junkyard that has machinery to crush and compress cars into nice compact cubes. And then, after compressing the limo (with the dead Solo still inside, of course), he places the resulting cube on the flatbed of a truck, somehow conveniently waiting for him, which he then drives back to the ranch. Of course! Why didn’t I think of that?

If you have not yet turned your brain off by this point, you may be wondering: Why take the compressed car back at all? Ah, you forgot about the gold. The million dollars in gold is still contained within the now heap of metal and human body parts — and needs to be extracted. Holy smokes, why didn’t Oddjob just remove the gold from the car before he compacted it? That would have saved Goldfinger from the ugly extraction task. In fact, it would have eliminated the need to take the compacted car back to the ranch at all. Ah, but then we wouldn’t have been able to have the witticism, spoken by Bond and Goldfinger in different scenes, of Solo’s “pressing engagement.” Oh yes, what does a total absence of any sense matter, when there’s a witty remark at stake?

Okay. I know James Bond movies aren’t meant to be taken seriously. And I will more than willing to accept some lack of logic in the name of fun. You’d be hard pressed to find an action movie that doesn’t have at least a few such minor lapses. But there comes a point when it all gets too much. For me, the Goldfinger movie surpasses that point several times over. I guess I was more forgiving when I watched it when I was younger. But I am not now.

Perhaps I am more harsh now because I see a bigger problem lurking. I believe the success of these early James Bond movies laid the groundwork for most of the hundreds of action movies that followed. The Bond franchise showed movie makers that you don’t need an intelligent script, or even one that makes any sense, for a movie to be successful. Throw in enough fight scenes, chase scenes, special effects, and explosions — and the audience will pay for a ticket and ignore the fact that there is no coherent plot to the movie.

That’s why I am almost always disappointed now in each new action movie that comes out. I hope the day may yet come when, in describing a movie, the words intelligent and action need not be mutually exclusive. I see some glimmer of hope here with movies such as 2005’s Batman Begins. But they are still more the exception than the rule. The vast majority of this summer’s movie blockbusters, sadly, appears to be sticking to the old formula.

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Republicans’ low road to nowhere

It’s a bit sad and more than a bit pathetic to see Republicans so desperate to win elections that they descend to the lowest possible road as quickly as they can.

With a unpopular war costing billions of dollars and thousands of lives, soaring food costs, the sky-rocketing price of oil, mortgage foreclosures at record highs, a looming health care crisis, an impending global-warming disaster, and continuing international problems in the Middle East and Asia, Republicans are cheering that the recent California decision in support of gay marriage is an “early Christmas gift.”

An upstanding Republican candidate (if such a person exists), who was opposed to the ruling, could simply say: “I am against gay marriage and I will work to make it illegal. However, there are many more important and more pressing issues that confront our country today. And these are issues where my views differ from those of my opponent. I intend to focus on these other issues in the campaign ahead.” And mean it.

I’m not holding my breath waiting to hear this. Rather, I expect Republicans, as usual, to milk this hot button issue for all its worth — doing their best to keep the campaign at gutter level. It is a strategy that depends upon appealing to our fears and prejudices, that offers no solutions to the real problems that our country faces, that focuses exclusively on what it takes to win (at almost any cost) rather than what it takes to govern, and that seeks to “swift boat” opponents rather than offer legitimate criticism. Unfortunately, it is a strategy that has worked well in the past.

I can only hope that the tide has finally turned against this sort of campaigning — and that it will fail miserably this time around. There are already signs that this is happening, such as in last week’s Mississippi Congressional election, where a Democrat won in a district that voted strongly Republican last time around. If this trend continues, this fall will see not only the welcome end of the Bush era, but the end of the uber-divisive and deceptive political tactics on which the administration thrived.

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